Limited Fork graphic

Tuesday, March 15, 2011

Photojournalism



Tsunami origin:
late 19th century: from Japanese, from tsu "harbor" + nami "wave"

I've been distracted, enthralled and captivated by these haunting images of what's currently going on in Japan. These look like building blocks. The power of sea water.
Well, I've been at a stand still with my ideas for a couple weeks now...
Over spring break I went to one of my high school's rowing practices and got some ideas mainly from the workout called "pedestals" that I had to demonstrate to the novices.
The workout is based on increments of 25 working up to 75 and is done a total of three times. It burns, oh does it burn. The first 25 is up and over head rows with a 20-lb bar. The second is 50 chest rows with that 20-lb bar and the third is squats with this 20-lb bar. I was thinking about how many ways this workout can apply to sustainability...implementing it in steps...having a 5-year plan 10-year plan and 15-year plan. Making large changes at first and working towards a more detailed approach later on. This will definitely work its way into my website, which is a work in progress still, of course.

Monday, March 14, 2011

When i get out

a new song was created. i was thinking about what the inmates talked about. what they felt passionately about. it was when they would get out of jail. i used this feeling to create a feel in the song. i even in threw in a sean penn distraction. now, i need to work on exactly what said and morph that to fit inside this song. the good thing is that i have not been tired. when im not tired, i dont sleep. when i dont sleep, i seem to be use more creativity. so it shouldnt be too difficult for me to compile what was written and make it my own
we will see what a new day will bring

Tuesday, March 8, 2011

Sean Penn


I didn't realize it, but Sean Penn has been intruding on my mind for a while now.  I've been thinking a lot about trees (you've probably all seen me in the corner with my hot glue gun), and working on constructing a forest made of thread trees (this is also part of my thesis for the BFA program, but I think it's ridiculous for projects to not spill over into other classes, don't you? my thoughts all jumble together, especially with art).  This movie trailer really made an impression on me a few months ago when I first saw it.  This movie is supposed to be mainly about emotions and sensory images, and I think it's interesting to think of how film can invoke strong emotional responses.  I'm interested in emotional responses in my own work, but haven't done anything with it in a while.  Watching this made me remember all those things I had been thinking about, and how nature is connected to everything (at least, that's how I feel about it).

Sean Penn intrusion??

So if Sean Penn were to intrude on my publishing project....

Needless to say it would be a bit strange, but it could happen in various ways:

For instance, why does Simon & Schuster advertise that Sean Penn read the Bob Dylan book Chronicles? What does this have to do with the book sale industry? How much do celebrity endorsements affect readers' purchases of books?

Or we could look at Sean Penn's biography by Richard T. Kelly entitled Sean Penn: His Life and Times. How much more popular are celebrity biographies than works of literature or fiction? Is society more geared toward "reality," more interested in the lives of real celebrities than they are in works of literary art?

Sean Penn's film Into the Wild is demonstrative of the blockbuster novel, as the movie is based off of the book by Jack Krakauer. It exemplifies the idea of turning a book into a hollywood hit. Because of the great success of movies such as Into the Wild or Harry Pottery, publishers seem to be selecting books to publish depending upon their blockbuster potential, and as a result, authors seem to be catering to their profit-oriented practices in order to get rich quick. I wish to investigate whether this is really true, whether such a system is really in place in today's publishing industry? Was Into the Wild written with the intention of being a blockbuster? Or was it simply admired by a director after it was already written?

Proforker's Intrusion

Sean Penn - The intruder
I found a soundboard of Spicoli from Fast Times at Ridgemont High here, which I intend to integrate into my sound project. Despite Prof. Moss telling us we thankfully do not have to use Charlie Sheen, the suggestion was made and since sound files of that particular person's ravings are readily available, I think I will use his voice in addition to Spicoli's.

Art as Necessity
Art as Luxury

The way I personally define these relationships are as follows: Art is a luxury, but Expression is a necessity. In the way that good food is a luxury and mere sustenance is a necessity.

Mucking About in Media - Exploration in Alienation

So I've been continuing to work with the idea of "Media" manipulating sound and text mostly at this point, trying to integrate different sources within a given medium. For instance using found sound--recorded by my friend on his iPhone and trying to integrate it into a Garageband track, as well as integrating the OED into my own Media-related rant. These two little projects have been rather successful insofar as they've allowed me to stretch my creative legs a bit, reaching out into areas formerly foreign to me, but I'm well stretched now, I know how long my legs are, (I can almost touch my toes!), and it's about time to jog a bit. I tend to think that constructing and working within metaphor is one of my strong points, and so in that spirit I've decided to jog. To clarify, stretching- something I'm not so good at, but necessary. Jogging- something I'm a bit better at, and which I'll begin to do now. What I mean by that, is the synthesis of the two media I've worked with so far, text and sound, through the descriptive medium of metaphor, in this case poetry specifically. What I'd planned to do today was to write I poem (I've already started) and then have it read by the computer voice-over thing, while recording it, and ultimately reintegrating it back into a sound, music-type file. The idea of a poem, a deeply human thing, being read in a digitally produced voice, surrounded by digital sound, is a somewhat alienating idea to me, which draws in another feature I've been fascinated by recently, that is, alienation. To be alienated, divorced from the familiar and comfortable, is how I mean to use this word. What is the purpose of alienation in this situation? The purpose of alienation in media? By separating ourselves from that which is near and possibly dear, or at least intelligible to us, we're given an opportunity to examine it more objectively. (I wouldn't dream of attempting true objectivity, I imagine it to be impossible.) And so through alienation I can find what used to be human and familiar, to be alien. Again, why bother? For something to become unfamiliar gives us a chance to demystify our relationship to it without the hazard of that assessment being effected by the very relationship. We are given an opportunity (though not imperatively, we can choose to ignore the chance) to see it for what it is, to see how we feel about something without the shroud of our own prior preconceptions. This is all very abstract and maybe even (a bit) sickeningly philosophical, so to be concrete, I intend to alienate myself from my own creation, to hear it inhumanly, and allow my reaction to that experience to change the creation into something it would not be without the filter of digitalization, alienation. My reaction to the computer-read poem will very likely alter its meaning to me, or at least its mood, leading the final product to be radically different from the original, or a poem/sound product without the alien interference of a computer voice.